“I’m a total analog gear junkie… always have been. Plugins are cool, but I prefer tubes and wires. Plus, software didn’t really exist when I first started. So I’ve amassed a collection of useful blinking boxes that help me with obtaining fat, wide, and engaging mixes. Though gear is only as good as the engineer operating it, having great gear makes a good engineer even better.  Here are some of the things that make me better.  That and coffee.  Coffee definitely makes me better.” – Thai Long Ly

Official Manufacturer Endorsements – AMS Neve, Amphion Loudspeakers, Antelope Audio, DPA Microphones (Masters Club), Mayones Guitars & Basses, IK Multimedia, Lewitt Microphones, Trinnov Audio

Monitors – PMC MB2S, IB1S (5.1), Amphion Two18, Auratones, Kali Audio LP6, M-Audio BX5, Buckeye NC502MP, Trinnov MCPro8, IK Multimedia iLoud Micro Monitors, Kali Audio WS12 (2), ASC Studio Traps (Attack Wall)

Platform – Pro Tools Ultimate

Mic Pres – Manley Dual Mono, Groove Tubes Supre, Aphex 1100, Millennia STT-1, Neve 1073DPX (3), Daking MPEQ (4), Demeter VTMP-2B, GML 8304, Neve 1073OPX (2), Daking MP One (4), Gorden Model 5

Compression – ADL670, Manley ELOP, Neve 33609N, Daking FETII (4), Demeter VTCL-2, Klark Teknik KT76 (2), Golden Audio Project Comp 3A, Drawmer 1968MKII, A-Designs Nail, Alan Smart C2, ART Pro VLAII, Tube Tech CL2A, Daking FET3, ELI Distressor EL8X

EQ – Manley Massive Passive, Daking MPEQ (4), Millennia STT-1, Klark Teknik EQP-KT (2), Neve 1073DPX

Microphones – Pearlman Custom TM250, Neumann TLM 170i (2), Coles 4038 (2), RCA 77D, Schoeps CMC6/MK41 (4), Schoeps CMC5/MK8, Schoeps CMC5/MK4, B&K 4011 (2), Neumann KM84i, Neumann U87Ai, Neumann MK67, Lewitt Pure Tube, Lewitt LCT1040 (2), Lewitt LCT640TS (2), Lewitt LCT540S (2), Lewitt LCT940, Lewitt LCT840, Lewitt DTP 640 REX (3), Lewitt DTP 340 REX, Lewitt MTP 940 (2), Lewitt MTP W950, Lewitt MTP 550 DM (2), Lewitt LCT 240 Pro, DPA 4055, DPA 2028, Shure KSM44 (2), Shure KSM 141 (2), Shure KSM353, Shure Beta 87a, Shure Beta 91 (2), Shure Beta 52, Shure SM57 (5), Shure VP88, BWSA MP201, Royer R-121, Audix i5, Rode M3 (2), Heil PR30, DPA 4099 (8), DPA 4011 (2), DPA 4018 (3)

Converters – Antelope Audio Orion 32+ Gen 4 and Gen 3, Antelope Audio Studio Synergy Core, Apogee AD/DA 16X

Summing – Burl B32

Misc – TC Electronic M4000, Tara Labs AD10B, Equi=tek ET1RS1, Tara Labs/Wireworld Cabling throughout

“Thai has built a state of the art recording facility and his post work gives the final polish of professionalism” – Keith Schwalenberg, Producer/Director (Back East Productions)