“I’m a total analog gear junkie… always have been. Plugins are cool, but I prefer tubes and wires. Plus, software didn’t really exist when I first started. So I’ve amassed a collection of useful blinking boxes that help me with obtaining fat, wide, and engaging mixes. Though gear is only as good as the engineer operating it, having great gear makes a good engineer even better.  Here are some of the things that make me better.  That and coffee.  Coffee definitely makes me better.” – Thai Long Ly

Official Manufacturer Endorsements – AMS Neve, Amphion Loudspeakers, Antelope Audio, DPA Microphones (Masters Club), Mayones Guitars & Basses, IK Multimedia, Lewitt Microphones, Trinnov Audio

Monitors – PMC MB2S, IB1S (5.1), Amphion Two18, Auratones, Kali Audio LP6, M-Audio BX5, Buckeye NC502MP, Trinnov MCPro8, IK Multimedia iLoud Micro Monitors, Kali Audio WS12 (2), ASC Studio Traps (Attack Wall)

Platform – Pro Tools Ultimate

Mic Pres – Manley Dual Mono, Groove Tubes Supre, Aphex 1100, Millennia STT-1, Neve 1073DPX (3), Daking MPEQ (4), Demeter VTMP-2B, GML 8304, Neve 1073OPX (2), Daking MP One (4), Gorden Model 5

Compression – ADL670, Manley ELOP, Neve 33609N, Daking FETII (4), Demeter VTCL-2, Klark Teknik KT76 (2), Golden Audio Project Comp 3A, Drawmer 1968MKII, A-Designs Nail, Alan Smart C2, ART Pro VLAII, Tube Tech CL2A, Daking FET3, ELI Distressor EL8X

EQ – Manley Massive Passive, Daking MPEQ (4), Millennia STT-1, Klark Teknik EQP-KT (2), Neve 1073DPX

Microphones – Pearlman Custom TM250, Neumann TLM 170i (2), Coles 4038 (2), RCA 77